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Jonny Davis

Hey there, I'm Jonny Davis – a creative force with a strong work ethic, currently navigating the media scene as an up-and-coming neurodivergent creative from my base in Bristol, UK. 

I currently freelance as a Staff Writer for both METAL Magazine and Crack Magazine, where I dive into the global experimental music scene. Through in-depth interviews with progressive artists, I aim to provide readers with unique insights into their creative processes and perspectives. These roles have also allowed me to cultivate valuable relationships within the music and journalism sectors.

As the Communications Coordinator at Ara Recovery for All, I've been at the forefront of comprehensive communication initiatives, ensuring a unified voice for our dedicated team across the South-West and Wales regions. My commitment extends beyond strategy, as I actively support vulnerable adults within Ara's programs, showcasing a holistic approach to recovery.

My academic journey includes earning an MA in Journalism from the University of the West of England (UWE Bristol), where I honed my skills in producing original stories for various formats. Proficient in editing software like Ableton and Headliner, I earned recognition from tutors and built a network of valuable media contacts.

Beyond the professional realm, I'm am an avid storyteller, engaging in screenwriting, music and crafting poetry in my spare time. 

In essence, I'm a versatile artist, communicator, and storyteller, ready to contribute my unique perspective and creative energy to the ever-evolving media landscape.

METAL Magazine articles

Metal Magazine

I'm really bad at producing on hardware; my process is mostly based around Ableton Live. I've tried to move away from it, but for now, it's what makes sense to me. Getting in the zone involves having a night where I won't go to sleep, just sitting in front of my laptop and seeing what comes out. Heaven was recorded quietly at night; I've got housemates, so I had to be discreet. Some parts were recorded on a shitty Behringer mic, or even with Apple wired earphones that I wrapped in underwear to r

Metal Magazine

, or the , Salò crafts an auditory experience reminiscent of a hallucinatory reverie, taking the listener upon a mesmerising journey of history, mythology, and contemporary commentary. Predicated upon the maxim ‘All’s good if it’s excessive’, the album is an avant-prog symphony of surrealism, presenting through sonic contradictions and highly evocative lyricism a uniquely immersive Theatre of the Absurd.


Produced at the legendary Abbey Rocchi Studios in Rome, reflects the rich historical tape

Metal Magazine

Thank you for your kind words. I think I could summarise the concept of the album as an ode to allowing oneself to rebel against self projected notions of what freedom of being and loving should feel like according to current delusionary mainstream standards. Can you really liberate yourself especially as a woman from societal pressures in your everyday life and when making important decisions and how do you navigate womxnhood alongside your biological clock? This album is definitely directed to

Metal Magazine

Well that’s Bishopskin! And so beautifully put! Will it resonate? The honest answer is I don’t know - it comforts me that you have so clearly identified what I feel is this rich source of inspiration for Bishopskin, but maybe in more insecure moments I often feel that we may not find our audience. Even if that’s so, that would be okay. It’s always comforting to have people enjoy your art but if no one was listening I hope we’d have a heart to continue to make.

The short answer is both. The ‘hea

Metal Magazine

The symbolism of protection represented by the obsidian shell on the album cover had a profound impact on both the sonic and lyrical choices in . This idea of shielding against negative energy guided our selection of songs and lyrics, infusing the album with themes of strength, resilience, and self-protection.

In the music itself, you can feel this sense of fortitude and intensity, reflecting the transformative power of facing life's challenges head-on. The choice of instruments, the depth of t

Metal Magazine

In a conversation with Office, both of you delved into the intriguing concept of "the zen of cringe" and the significance of embracing rather than shunning one's inner cringe. A decade has passed since Sky Ferreira declared the now-famous aphorism, , and notably, in the hyper-pop maximalist arena that SPEED RUN navigated, there has been a prevailing trend among artists to not merely accept but wholeheartedly embrace this maxim, under the notion that "I am cringe, but I am free."’ Given the notab

Crack Magazine articles

Miscellaneous published articles

Wax Music •

Tlya X An: The Cathartic Art of Letting Go

Walking into a room containing someone exuding such a confident and self-assured demeanour can be a somewhat daunting experience if you find yourself an inadequate match for that energy. When I walked into the studio where Tlya X An was taking press photos prior to our discussion however, I instantly felt her commanding presence as a contagiously energising force, one that didn’t intimidate, but rather invigorated. As we began to talk, I quickly realized that behind her commanding presence was a
Bristol 24/7 •

Bristol's best bars

This floating cider bar is a renowned treasure among students and locals alike, replete with an array of ciders served by the friendliest crew.

Their most famous elixir is the 8.4% Old Bristolian, with just one of these cider behemoths being enough to confirm you’ll be missing from your 10am lecture the next morning.

The Apple is the perfect place for a relaxed autumnal hang out or a cute date spot looking out into the sunset.

Small in name, but certainly not small in nature! This refi ned an
Dance Policy •

CONQUEER: A consecrated evening of queer euphoria —

In light of these events, Dance Policy spoke to Daniel Camargo-Grosso, Conqueer founder & director, and Beau Palmer, producer for Conqueer, to gain an insight into the various components that have made Conqueer into the success it has become:

What are some of the challenges of running a queer event that other promoters wouldn’t typically face?

Daniel – The biggest and most important challenge would be ensuring attendees are as safe as possible where they are able to feel comfortable enough to

Favourite university articles

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